
Images and text: Gorazd Vilhar
Nara ranks alongside Kyoto as one of Japan's quintessential sightseeing areas. Some 1,300 years on from Nara's period as the capital of Japan, noted Slovenian photographer Gorazd Vilhar, himself a resident of Japan for 28 years and a specialist in photography of Japanese festivals and culture, embarked on a journey to discover today’s Nara.
When it was founded in the 8th century, Todai-ji was the nation's largest Buddhist center. The magnificent Great Buddha statue was waiting for me at the famous Daibustuden in Todai-ji, which remains a vast site even today. I was particularly moved by the Shuni-e (water-drawing ceremony) held annually on March 12th at Nigatsu-do. The water-drawing ceremony is a mysterious and majestic fire festival. Monks carry large pine torches and run along the Nigatsu-do balcony. Sparks pour down on the assembled crowds as the torches strike the handrails. These sparks signify blessings. This water-drawing ceremony conceals some of Japan's profound mysteries, with many intriguing aspects, such as legends involving ghosts and the flowing of holy water all the way from a distant temple close to the Sea of Japan during preparations for the ceremony. The climax of this water-drawing ceremony marks the beginning of the Japanese springtime.
There are many wonderful temples located within the relatively small confines of Nara City. At Jurin-in temple, I encountered a stone image of Jizo-Bosatsu with a very mild facial expression. Jizo-Bosatsu is popular as a guardian deity for children. I was particularly impressed by the offerings of a box filled with sand dedicated to victims of the tsunami in Japan's Tohoku region.
The martial arts village of Yagyu in the northeast of Nara is known from “Yagyu Shinkage Ryu”, which was diligently practiced by famous samurai such as Yagyu Jubei with the aim of becoming strong. Today, this is a rural area rich with nature, so I was genuinely surprised to find the Yagyu no Ittoseki stone here. Legend has it that the mysterious slash in this stone, which stands some 7 meters tall, indicates the results of samurai battles.
Genjo Sanzo is a protagonist of the famous Chinese classical novel entitled “Journey to the West”. This is a tale of Genjo Sanzo's journey from China to India in order obtain sacred texts, in which he battles with monsters with help from Songoku, the ghost of his monkey servant. Some 1,300 years ago, various cultures came into Nara via the Silk Road. Processions of masked people can be seen at the Genjosanzo-e Taisai Festival, which is held at Yakushiji Temple on May 5th every year, reminding me of ancient times in which Nara was connected via the Silk Road all the way to Europe.
I have a great interest in food in ritual. I had heard about a ceremony held on February 1st to predict results for the coming year's harvest. I am very interested in these kinds of events, so I headed out to the old, small Tomi Shrine, which is about a 2km walk westward from Kintetsu Nishinokyo Station, which is next to the famous Yakushiji Temple. The Kayu-uranai event predicts the year-round performance of crops with lightly cooked kayu, a thin rice porridge. Apparently, crops can be forecast by looking at the quantity of rice grains and red beans cooked in bundles of bamboo sticks.
I visited the Karako-Kagi Site at Tawaramoto in the middle of the Nara Basin. The site is encircled by a moat, and a multistoried structure has been restored within the ruins. Since the founding in the third century of Yamato, the first Japanese nation state, this site has been a powerful cultural center. The scenery around the lookout tower against the backdrop of a beautiful sunset made me feel as though I had traveled back to ancient times.
Omiwa Shrine, at the foot of Mt. Miwa, is a famous example of mysterious Nara. The god of this shrine is Onamuchi-no-kami, who is an active god of Izumo in Japanese myths, while Mt. Miwa itself is an object of worship. Onamuchi-no-kami apparently has the body of a snake. The duck photographed at the time of the Haru no Omiwa-sai Festival was perhaps bringing a snake's favorite food as a gift to offer to the Onamuchi-no-kami. It is a great mystery to me how the god of Izumo, so far away, is enshrined at Mt. Miwa in the middle of Nara.
The Yamazoe area in the eastern part of the Nara Basin is close to the Iga area, which is famous as a ninja base. Although Yamazoe is difficult to access, it is a place where the old Nara remains alive. The symbol of Yamazoe village is the huge spherical Chouju Rock, which is 7 meters wide and is thought to weigh 600 tons. Curiously, I was quite surprised to find that this rock has a “cross belt” thought to represent the equator, and meridians.
The angular black rocks in Nabekura Valley in Yamazoe village are said to signify the galaxy. Mysteriously, these rocks have names taken from stars in the galaxy. It seems that this is also a reflection of the ancient Taoist culture. Further into the deep forest, one can find iwakura, rocks in which Japan's gods are said to reside. Straw ropes decorated with paper folded into zig-zag shapes, called shimenawa, indicate the sacred nature of the place.
Asuka is the part of Nara where culture of Buddhism, etc. first entered the region. Although Asuka is now an idyllic countryside spot, there are many mysterious stones to be found here including the saruishi (monkey stone), the so-called “devil's chopping board”, kameishi (tortoise stone), nimeniseki (two faced stone), and ishibutai (stone stage). I suddenly stumbled upon the kameishi in the middle of a quiet residential area. I was enchanted by the turtle face of this enormous 10 ton stone, and I spent some time there. According to legend, the kameishi used to face north but then turned to an eastward direction and now faces the southwest. Legend says that if it ever turns due west toward the Taima region, the whole Nara Basin will turn into a sea of mud. It seems this stone does have a spirit, after all…
Heading from Asuka’s famous Ishibutai Kofun site upstream along the Asuka River, I arrive at the Kaya-no Mori of Oku-Asuka. The beautiful rice terraces of Oku-Asuka are reminiscent of ancient Japan. I came to see the ancient mystery that is “Tsunakakeshinji”. Every year, on January 11th, and another nearby day, two rituals are held in which an ozuna rope is hung at the entrance of Inabuchi at the top of Asuka River, and a mezuna rope is hung at the entrance of the village, Kaya-no Mori. These sacred straw ropes symbolize men and women respectively, and the fact that neither ground nor seeds alone can produce crops. This made me think about the importance of people in this dynamic.
Saigyo was one of Japan's renowned poets of the 12th century. He spent his life traveling and loved cherry trees, living in a retreat deep in the mountains of Yoshino, the most famous place for cherry trees in the whole of Japan. Nearby there was also a spring called Kokeshimizu, and the abundant blooming cherry trees blooming deep in these mountains was a beautiful sight. Saigyo followed the ascetic way of life befitting a sage of the Orient by living in seclusion deep in the mountains. Visiting Saigyo-an in the midst of a storm, I was able to get a sense of how Saigyo might have felt.Copyright © Japan National Tourism Organization All Rights Reserved.